Peter Karbe, head of the optical development department at Leica Camera AG, explains the reason behind the “slow” lens of the Leica X Vario camera:
“The design and construction of any lens is an attempt to create harmony among a number of sometimes contradictory requirements. It’s not good enough to optimize one single property of the lens; it’s much more a matter of achieving an equally high standard in many areas. I like to use a metaphor from the world of sports, comparing the process with the modern pentathlon, where only the best in all five disciplines can win.”
Amateurphotographer reviewed the Leica X Vario camera:
“Initially it is hard not to be frustrated by the relatively small maximum aperture of the camera’s fixed zoom lens, especially when many of its competitors have fixed f/2 lenses or larger. However, the camera handles very well and produces great images, and for most types of photography that the Leica X Vario will be used for the f/3.5-6.4 aperture shouldn’t be an issue. Overall, the Leica X Vario is an enjoyable camera to use, but it does come at a very high premium.”
The quiet revolutionary design classic at BBC:
“Many of the world’s great photojournalists have used Leica’s evergreen range of 35mm rangefinder cameras for their most memorable work, among them Robert Doisneau – who can forget his 1950 shot of two young Parisian lovers kissing in front of the Hotel de Ville? – Diane Arbus, Henri Cartier-Bresson, Rene Burri, Robert Capa, Elliott Erwitt and Sebastiao Salgado. And, of course, there was that image of Che Guevara – the Heroic Guerilla – which Alberto Korda said he took with a Leica M2, and which has been reproduced on millions of t-shirts, posters and coffee mugs ever since.”
